Epic Lion Story
Posted on June 22, 2015
Posted on June 22, 2015
Posted on June 21, 2015
The Riverside Press-Enterprise reports (http://bit.ly/1BnpuNM ) that the graffiti-ravaged house that local legend said was visited or lived in by Johnny Weissmuller, who starred in Tarzan movies in the 1930s and ’40s is being dismantled.
Posted on June 18, 2015
Announcing the latest addition to the Tarzan lore, written by Will Murray
With the African continent engulfed by World War II, John Clayton, Lord Greystoke, abandons his role as Lord of the Jungle in order to combat the spreading Nazi menace.
Flying a P40 Tomahawk warplane, Clayton is sent on his first mission: to rescue the missing British Military Intelligence officer code-named Ilex. But the daring task plunges him into his savage past after he’s forced down in a lost land that seems hauntingly familiar.
When Tarzan of the Apes returns to the prehistoric realm called Pal-ul-don, he must revert to his most savage persona, that of Tarzan-jad-guru—Tarzan the Terrible!
Posted on June 6, 2015
(June 5, 2015 – Tarzana, CA by Will Murray) I’m immensely pleased and proud to announce that I had been chosen by ERB Inc. to write the first authorized Tarzan novel in several years to be set in the series’ original time period. Although I’m perhaps best known for my Doc Savage novels, I actually discovered the works of Edgar Rice Burroughs about a year before I discovered Doc. It was the purchase of the Ballantine Books edition of “The Gods of Mars” in 1968 that started me on my lifelong love affair with all things Burroughsian.
When the opportunity came to write a Tarzan adventure, I gave a lot of thought over which phase of the ape-man’s career to set my story. From the beginning, the plan was to sequel “Tarzan the Terrible,” one of ERB’s most masterful Tarzan novels, and a personal favorite of the Burroughs’, second only to “Tarzan of the Apes” in that series.

At first, I thought we would leave the timeframe vague, but the more I delved into the series, the more I was drawn to the little-recorded phase in which John Clayton, Lord Greystoke, left his jungle home to serve in the Royal Air Force during World War Two. Burroughs portrayed his hero as an observer in “Tarzan and The Foreign Legion,” so he would likely have previously undergone flight training. Here was a great jumping-off point to depict the civilized John Clayton in a rarely-seen role––that of combat fighter pilot––from there to segue into a classic reversion to this natural state as the untamed Lord of the Jungle.
In “Tarzan: Return to Pal-ul-don,” fresh from flight school, Clayton is given a secret mission. An RAF plane has gone down in Africa, along with a military intelligence operative codenamed Ilex. His mission is to locate Ilex and bring the nameless agent back to civilization, along with the unknown Axis secret being carried to Allied leaders. As it happened, the missing plane crashed into a previously unexplored area Pal-ul-don. So when Flying Officer Clayton’s shark-mouthed P-40 Tomahawk fighter plane is attacked by pteranodons, causing him to crash land in strangely familiar territory, the ape-man discovers he’s back in the Land of Man. And so begins his quest.
In this sequel, we are not revisiting the cities and peoples encountered in “Tarzan the Terrible.” Instead, Tarzan finds himself caught in the web of a completely different tree-dwelling tribe which presents the fearless ape-man with one of the most epic challenges of his long career. Tarzan the hunter becomes Tarzan the hunted!
I don’t want to give away any more of the story, but “Tarzan: Return to Pal-ul-don” is an imaginative quest into a savage land both familiar and alien. The allies and perils the ape-man collects along the way are a tribute to the powerful imagination of Edgar Rice Burroughs, one of the great pulp adventure writers of the 20th Century.
This is Tarzan of the Apes as Burroughs originally portrayed him.
Jim Sullos, President of Edgar Rice Burroughs, Inc., adds, “We couldn’t be more pleased to have such a talented writer as Will Murray write a sequel to one of Mr. Burroughs’ Tarzan novels. The pace is fast and the suspense never lets up, just what a reader expects when following the adventures of our Ape-Man.”
––Will Murray
Click Here to Order Link the New Novel: Tarzan: Return to Pal-ul-Don.
TARZAN: RETURN TO PAL-UL-DON
copyright © 2015 Edgar Rice Burroughs, Inc.
Tarzan of the Apes copyright © 1912 Edgar Rice Burroughs, Inc. All Rights Reserved.
Trademarks TARZAN®, TARZAN OF THE APES™ and EDGAR RICE BURROUGHS™
Owned by Edgar Rice Burroughs, Inc. and Used By Permission.
First Edition – June 2015
Designed by Matthew Moring/Altus Press
Posted on May 26, 2015
A wonderful article about the hard effort that goes into making the art of Barsoom:
When an artist is learning to draw or paint there are certain subjects at which they all must try their hand. A landscape. Flowers. Animals. Children. With varying degrees of success, the artist has to have at least tried to depict certain types of scenes from low lighting, moody, introspective pieces to high energy, action scenes. The artist has to experience what it is like to capture these elements on paper or canvas.
Read the full article at Amazing Stories
Posted on May 23, 2015
The Guardian just posted a wonderful expose about Baby Peggy, a child actor star from the early days of silent movies who worked with Edgar Burroughs on set of Tarzan.
In 1922, when Hollywood was young and anarchic, an actor known as Baby Peggy made a silent film called The Darling Of New York. Her career was booming and this was a major role, the movie pivoting on a scene in which she would be trapped – title-cards illuminating the horror – in a burning bedroom. On the day of the shoot, propmen doused their set in kerosene. Then they positioned Baby Peggy in the middle and lit everything on fire – including, the actor thinks by accident, the door by which she was meant to escape. Forced to improvise, she had to claw a way out across a burning windowsill, her performance later praised for its realism. Baby Peggy was four years old. “They said I was fearless,” she remembers. “Which was not true.”
Read the full story Here!
Posted on May 18, 2015
Bo Derek, who played Tarzan’s Jane in the 1980s, made some interesting comments according to CBS News:
Bo Derek is an actress who made quite an impression with a run on the beach a few decades ago. She talks about that — and much more — with our Ben Tracy for this Sunday Profile:
Check out the full article and video at CBS News
Posted on May 12, 2015
Posted on May 11, 2015
(May 8, 2015 – Tarzana, CA) As of episode #31 our Jungle Girl feature will be drawn by War Chief’s own Nik Poliwko. Our current art team of Will and Jo Meugniot have decided to actively pursue their retirement and realized having a regular weekly assignment was interfering with their travel plans. Per Will, “Drawing Jungle Girl for the great people at ERB was a dream come true, but I’ve been concerned that I couldn’t continue delivering the strip at its current quality and find time for the outside pursuits I’ve wanted to take up in retirement. It’s been a relief that Nik, who is one of my favorite Burroughs artists, is willing to pick up the reins. As a fan of Martin’s writing and Nik’s visual storytelling, I look forward to seeing what comes next in the lives of Gordon and Fou-Tan, and trust you’ll all join me in my enjoyment of the continuing adventures of Edgar Rice Burroughs’ Jungle Girl.”
They will be missed! We are excited to continue this wonderful story with Martin Powell, writing, and Nik Poliwko as our artist. Nik is the current artist for The War Chief and also the Editor or our special FB page for ERB web comics www.facebook.com/groups/ERB.Online.Strips/
See all our Comic Strip Samples
The first four episodes of “The Jungle Girl,” and all the comic strip storylines featured at EdgarRiceBurroughs.com/Comics, are available at no charge. Fans can gain unlimited access to the entire site and all the strips from the beginning for only $1.99 per month or $21.99 per year.
About the Edgar Rice Burroughs Digital Comic Strips Service
Regularly updated and expertly curated, the Edgar Rice Burroughs Digital Comic Strips service offers all new web comic adventures based on the classic characters and stories of Edgar Rice Burroughs. Current offerings include:
THE GIRL FROM HOLLYWOOD™ by Charles Santino and Joel Zain Rivers
THE OUTLAW OF TORN™ by Tom Simmons, Jake Bilbao and L Jamal Walton
JUNGLE GIRL™ by Martin Powell, Will Meugniot and Jo Meugniot
THE LOST CONTINENT™ by Martin Powell and Oscar Gonzalez
THE MONSTER MEN™ by Tom Simmons, Erik Roman, L Jamal Walton and Cristian Docolomansky
JOHN CARTER WARLORD OF MARS™ by Roy Thomas, Pegaso, Salvador López, Carolina Sánchez, Guadalupe Rivera and Olivia Peña
KORAK THE KILLER (TM) by Ron Marz, Rick Leonardi, Neeraj Menon and Troy Peteri
THE MUCKER (TM) by Ron Marz, Lee Moder, Troy Peteri and Neeraj Menon
TARZAN OF THE APES (TM) by Roy Thomas and Tom Grindberg
THE NEW ADVENTURES OF TARZAN (TM) by Roy Thomas and Tom Grindberg
CARSON OF VENUS (TM) by Martin Powell, Thomas Floyd, and Diana Leto
THE ETERNAL SAVAGE (TM) by Martin Powell and Steven E. Gordon
THE WAR CHIEF(TM) by Martin Powell and Nik Poliwko
THE CAVE GIRL (TM) by Martin Powell and Diana Leto (A Bi-Weekly)
PELLUCIDAR (TM) by Chuck Dixion and Tom Lyle
THE LAND THAT TIME FORGOT (TM) by Martin Powell, Pablo Marcos and Oscar Gonzalez
Posted on May 8, 2015
Maybe Mad is like the movie John Carter—based on Edgar Rice Burroughs’ John Carter of Mars. Just hear me out: It was so widely influential, over so many decades, and so copied and appropriated, that the original doesn’t turn heads anymore. Great article at Seattle News you should all check out!