A little preview panel from Nik Poliwko’s comic. Find out more comic art here!
“Spooked” Artist Sketch by Nik Poliwko
Posted on April 17, 2014
Posted on April 17, 2014
A little preview panel from Nik Poliwko’s comic. Find out more comic art here!
Posted on April 9, 2014
Fabled Son of Tarzan Returns in New Weekly WebStrip by Marz and Leonardi
Tarzana CA (9 April 2014) Carrying on in the family business of jungle adventure, Edgar Rice Burroughs’ Korak – the son of Tarzan – swings into action beginning Wednesday, April 9, 2014 in an all-new digital adventure strip written by Ron Marz and drawn by Rick Leonardi.
The announcement of this latest addition to the EdgarRiceBurroughs.com/comics service was made today by representatives of Edgar Rice Burroughs, Inc., the company founded by the author himself to protect and maintain his works for generations.
See the new strip…
“One of the first comics I remember getting as a kid was the second issue of the Korak series from DC,” said Ron Marz, the award-winning scribe known for Silver Surfer, Green Lantern, Witchblade and, most recently, Edgar Rice Burroughs’ The Mucker web comic. “That cover of Korak fighting a huge crocodile made a lasting impression on me. I was fascinated that Tarzan had a son – and he was wholly different than the little kid I knew from the movies. I’m utterly thrilled to be able to tell new Korak stories very much in the mold of what Edgar Rice Burroughs intended for the son of his most famous creation.”
Though many of the entries in MGM’s Tarzan movie series featured an adopted son called “Boy,” the character bore only a passing resemblance to Korak, who was written by Burroughs as the natural born offspring of Tarzan and Jane.
Extremely popular among fans of the original novels, Korak frequently appeared in the panels of the now classic Tarzan newspaper comic strip, in addition to headlining comic books published at various times by Gold Key and DC. Korak the Killer represents the first time the character has been featured in his own weekly adventure strip.
Illustrator Rick Leonardi, known for his work on Spider-Man 2099, Cloak and Dagger, Nightwing and Batgirl, brings a raw, dynamic tension to the figures and composition in every panel of Korak the Killer.
Based on stories from the original novels, the first strips of the series will be available online for free at www.edgarriceburroughs.com/comics. beginning Wednesday April 9, 2014. Return weekly beginning April 19th to view additional, new Korak strips. Subsequent episodes may be enjoyed anytime, anywhere for just $1.99 a month with a subscription to the Edgar Rice Burroughs Digital Comic Strips service. Regularly updated and expertly crafted, the service currently features a variety of all-new adventure strips based on classic Burroughs creations including Tarzan, Pellucidar, The Eternal Savage, The Mucker, The Land that Time Forgot and Carson of Venus.
“A generation of fans grew up on DC’s ‘Korak’ comic, with those great interiors by Murphy Anderson and Frank Thorne, as well as amazing Joe Kubert covers. Rick and I are thrilled be to carrying on that tradition for returning fans, as well as those just discovering Korak the Killer,” added Marz.
Regularly updated and expertly crafted, the Edgar Rice Burroughs Digital Comic Strips service offers all-new web comic adventures based on the classic characters and stories of Edgar Rice Burroughs – all for just $1.99 per month.
Current offerings include:
KORAK THE KILLER (TM) by Ron Marz, Rick Leonardi, Neeraj Menon and Troy Peteri
THE MUCKER (TM) by Ron Marz, Lee Moder, Troy Peteri and Neeraj Menon
TARZAN OF THE APES (TM) by Roy Thomas and Tom Grindberg
THE NEW ADVENTURES OF TARZAN (TM) by Roy Thomas and Tom Grindberg
CARSON OF VENUS (TM) by Martin Powell, Thomas Floyd, and Diana Leto
THE ETERNAL SAVAGE (TM) by Martin Powell and Steven E. Gordon
THE WAR CHIEF(TM) by Martin Powell and Nik Poliwko
THE CAVE GIRL (TM) by Martin Powell and Diana Leto (A Bi-Weekly)
PELLUCIDAR (TM) by Chuck Dixion and Tom Lyle
THE LAND THAT TIME FORGOT (TM) by Martin Powell, Pablo Marcos and Oscar Gonzalez
AND THERE ARE MORE TO COME!
Posted on April 5, 2014
Read the full story at Ocala
Posted on April 4, 2014
Australian actress Margot Robbie is dying her hair for the new 3D version of ‘Tarzan’.
‘The Wolf of Wall Street’ actress recently went from blonde to brunette for another movie role and is in the process of changing it back to star alongside ‘True Blood’ hunk Alexander Skarsgard in the upcoming Warner Bros. film.
She told ITN News: ‘We start in a couple of months. I got the script, loved it, met with David Yates, the director, I loved his vision and all the pieces came together. I got picked for the role … I’m very lucky.
‘I just did a film where I had brown hair, it was manky brown, awful, but it was meant to look like that in the film. We made it a nicer, richer colour for the Oscars but now I have to go lighter again for ‘Tarzan’.’
She added: ‘I don’t think blondes have more fun though … people always ask me that but I love this colour.’
Read the full story at: SkyNews
Posted on April 2, 2014
Tarzan is all set to make a comeback this summer in May 2014. The modern day adaptation of the classic Edgar Rice Burroughs story will start Kellan Lutz in the title role.
The film also takes a rather original approach to the story, setting it in modern times, and even throwing in a giant meteorite from outer space.
Tarzan will be a 3D animated adventure film, which employs motion capture technology. In this film, Tarzan is actually the son of billionaire adventurers, who died in a plane crash. The villain is the man who took over Greystoke Industries, a company run by John Greystoke after Tarzan‘s parents died.
The young boy, whose original name is John Jr., known as JJ, but then is later called Tarzan, is found and adopted by the silverback gorilla Kala and raised as an ape.
As time passes by, Tarzan who has long since forgotten his roots, forgotten the terrible events of his childhood and has become a strong young man, who knows how to handle himself with great skill in even the most dangerous regions of the rainforest. He is fourteen years old when he discovers the beauty of nature during a venture outside of his usual territory.
Read the full story at: Business of Cinema
Posted on March 27, 2014
EDGAR Rice Burroughs’s classic tale of the “ape without fur” Tarzan, gets another remake that relies heavily on computer wizardry.
Visionary German director Reinhard Klooss directed, co-produced and wrote this animated masterpiece, targeting the younger generations.
His previous animated feature, Animals United, didn’t go well with the audience, although the film was lauded for its visuals.
In Tarzan, he pushes the envelope further with regards to computer animation which, combined with a good story, contribute to a worthy watch.
Read the rest of the story at New Straits Times
Posted on March 24, 2014
Posted on March 19, 2014
REMEMBERING EDGAR RICE BURROUGHS
September 1, 1875 – March 19, 1950
Master of Fantasy Adventure
Grandfather of American Science Fiction
Creator of Tarzan and John Carter of Mars
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www.ERBzine.com/bio
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Posted on March 17, 2014
“Death in the Canyon!”, the thrilling 34th episode of Edgar Rice Burroughs’ western masterpiece, THE WAR CHIEF™, by Martin Powell and Nik Poliwko, is now LIVE @ www.edgarriceburroughs.com/comics/
Join the adventure from Edgar Rice Burroughs, Inc.! Only $1.99 per month for ALL weekly series comic strips! Check out the free samples!
Posted on March 7, 2014
Western Carolina University’s original production of a radio re-creation of “Tarzan of the Apes” has been recognized with one of the top awards in the Broadcast Education Association Festival of Media Arts. The show, which was presented Feb. 26, 2013, in WCU’s John W. Bardo Fine and Performing Arts Center, is the winner of the best of competition award in the long-form faculty audio production category.
Judges said in their comments that the piece was entertaining and engaging, and created “grand suspense” through the use of “spirited narration, musical crescendos and decrescendos, effectively placed sound effects, and engaging dialogue.”
“The judges were impressed with the overall audio quality featured on the production as well as the staging of the production,” said John McGuire, chair of the festival’s faculty audio category. “These types of audio plays are rarely heard on the radio today.”
Read the full story at the Reporter